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Dido and Aeneas is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The first known performance was at Josias Priest’s girls’ school in London no later than the summer of 1688.
The story is based on Book IV of Virgil’s Aeneid. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. A monumental work in Baroque opera, Dido and Aeneas is remembered as one of Purcell’s foremost theatrical works. It was also Purcell’s first opera, as well as his only all-sung dramatic work.
CHARACTERS | |
Dido, Queen of Carthage | soprano |
Aeneas, a Trojan prince | baritone |
Belinda, Dido’s confidante | soprano |
Sorceress | mezzo-soprano or baritone |
Spirit, in the form of Mercury | soprano |
Sailor | soprano or baritone |
Dido, the widowed Queen of Carthage, entertains the Trojan Prince Aeneas, shipwrecked on his way to Italy, where he will found a new Troy. Dido and Aeneas are in love. Witches plot Dido’s destruction and the Sorceress conjures a storm, to break out when the royal couple are hunting, and the impersonation of Mercury by one of her coven. The storm duly breaks and the courtiers hasten back to town, while the false Mercury tells Aeneas he must leave Dido and sail for Italy. Aeneas and his sailors prepare to leave, to the delight of the witches. Aeneas parts from Dido, who kills herself once he has gone, her death lamented by mourning cupids. |
SYNOPSIS:
Set in Carthage at the court of Queen Dido, in mythical time period.
Scene I, Dido’s Palace
Dido, Queen of Carthage, is brooding in her palace. Belinda suggests her brooding may be due to her love for the Trojan prince Aeneas. Belinda intimates that Aeneas already loves her. Belinda suggests that a union between them both would bring Dido the happiness she deserves and will glorify Carthage.
Scene II, Dido’s Palace
Aeneas, who has just arrived in Carthage after fleeing from Troy following defeat in the Trojan War, enters and proclaims his devotion for Dido. Dido accepts his love and the courtiers celebrate.
Scene III, The Witches’ cave
A sorceress with the aid of some witches conspire for Aeneas’ departure, Dido’s ruination and the destruction of Carthage. Meanwhile, the lovers are embarked upon a hunt as a symbol of courtship.
Scene IV, The Grove
As the hunting party pauses Belinda, and an accompanying woman, sing of the locations delight. Thunder is heard in the distance. The witches have conjured a storm to bring an end to the lovers hunting party. Dido, who has fully given her love to Aeneas returns safely to the palace. In the storm, the spirit of the sorceress appears before Aeneas, disguised as Mercury and reminds him he must leave and continue his quest as he is fated to be the founder of a new Troy and the Roman Empire. Aeneas laments his fate.
Scene V, Harbor
Aeneas’ men are driven to their ships by the witches and the sailors jovially make ready to leave. The Sorceress and the witches dance to their success.
Scene VI, Dido’s death
Dido fears that Aeneas will abandon her. Aeneas, torn, seeks to defy the gods and stay. Dido is angered and forces him to leave: She will not endure a lover who has entertained leaving her. Belinda fails to appease Dido’s grief and Dido plans her own suicide. As Aeneas ship disappears, Dido throws herself on her funeral pyre.
◊ from Teatro Comunale Luciano Pavarotti, Modena (Italy) ↓ [2020]
• FIRST ACT
Scene: The Palace [enter Dido, Belinda and train]
BELINDA
Shake the cloud from off your brow, Fate your wishes does allow;
Empire growing, Pleasures flowing, Fortune smiles and so should you.
CHORUS
Banish sorrow, banish care, Grief should ne’er approach the fair.
DIDO
Ah! Belinda, I am prest With torment not to be Confest, Peace and I are strangers grown.
I languish till my grief is known, Yet would not have it guest.
BELINDA
Grief increases by concealing,
DIDO
Mine admits of no revealing.
BELINDA
Then let me speak; the Trojan guest Into your tender thoughts has prest;
The greatest blessing Fate can give Our Carthage to secure and Troy revive.
CHORUS
When monarchs unite, how happy their state,
They triumph at once o’er their foes and their fate.
DIDO
Whence could so much virtue spring?
What storms, what battles did he sing?
Anchises’ valour mixt with Venus’ charms
How soft in peace, and yet how fierce in arms!
BELINDA
A tale so strong and full of woe might melt the rocks as well as you.
What stubborn heart unmov’d could see such distress, such piety?
DIDO
Mine with storms of care opprest Is taught to pity the distrest.
Mean wretches’ grief can touch, so soft, so sensible my breast,
But ah! I fear, I pity his too much.
BELINDA & SECOND WOMAN [Repeated by Chorus]
Fear no danger to ensue, The Hero Loves as well as you, ever gentle, ever smiling,
And the cares of life beguiling, Cupid strew your path with flowers gather’d from Elysian bowers.
DANCE THIS CHORUS
THE BASKE [Aeneas enters with his train]
BELINDA
See, your Royal Guest appears, How Godlike is the form he bears!
AENEAS
When, Royal Fair, shall I be blest with cares of love and state distrest?
DIDO
Fate forbids what you pursue.
AENEAS
Aeneas has no fate but you!
Let Dido smile and I’ll defy the feeble stroke of Destiny.
CHORUS
Cupid only throws the dart that’s dreadful to a warrior’s heart,
And she that wounds can only cure the smart.
AENEAS
If not for mine, for Empire’s sake, some pity on your lover take;
Ah! make not, in a hopeless fire a hero fall, and Troy once more expire.
BELINDA
Pursue thy conquest, Love; her eyes confess the flame her tongue denies.
A DANCE. GITTARS CHACONY.
CHORUS
To the hills and the vales, to the rocks and the mountains To the musical groves and the cool shady fountains. Let the triumphs of love and of beauty be shown, Go revel, ye Cupids, the day is your own.
THE TRIUMPHING DANCE
• SECOND ACT
Scene [I]: The Cave [enter Sorceress]
[PRELUDE FOR THE WITCHES]
SORCERESS
Wayward sisters, you that fright the lonely traveller by night
Who, like dismal ravens crying, Beat the windows of the dying,
Appear! Appear at my call, and share in the fame of a mischief shall make all Carthage flame.
Appear!
[enter Enchantresses]
FIRST WITCH
Say, Beldam, say what’s thy will. CHORUS Harm’s our delight and mischief all our skill.
SORCERESS
The Queen of Carthage, whom we hate, as we do all in prosp’rous state,
Ere sunset, shall most wretched prove, Depriv’d of fame, of life and love!
CHORUS
Ho, ho, ho, ho, ho, ho! [etc.]
TWO WITCHES
Ruin’d ere the set of sun? Tell us, how shall this be done?
SORCERESS
The Trojan Prince, you know, is bound By Fate to seek Italian ground;
The Queen and he are now in chase.
FIRST WITCH
Hark! Hark! the cry comes on apace.
SORCERESS
But, when they’ve done, my trusty Elf In form of Mercury himself
As sent from Jove shall chide his stay,
And charge him sail tonight with all his fleet away.
CHORUS
Ho, ho, ho, ho, ho, ho! [etc.]
[Enter a Drunken Sailor; a dance]
TWO WITCHES
But ere we this perform, We’ll conjure for a storm
To mar their hunting sport And drive ‘em back to court.
CHORUS [in the manner of an echo.]
In our deep vaulted cell the charm we’ll prepare,
Too dreadful a practice for this open air.
ECHO DANCE [Enchantresses and Fairies]
Scene [II]: The Grove [enter Aeneas, Dido, Belinda, and their train]
RITORNELLE [Orchestra]
BELINDA [Repeated by Chorus]
Thanks to these lovesome vales, These desert hills and dales,
So fair the game, so rich the sport, Diana’s self might to these woods resort.
GITTER GROUND A DANCE
SECOND WOMAN
Oft she visits this lov’d mountain, Oft she bathes her in this fountain;
Here Actaeon met his fate,
Pursued by his own hounds, And after mortal wounds
Discover’d, discover’d too late.
[A Dance to entertain Aeneas by Dido’s women]
AENEAS
Behold, upon my bending spear a monster’s head stands bleeding,
With tushes far exceeding those did Venus’ huntsman tear.
DIDO
The skies are clouded, hark! how thunder rends the mountain oaks a sunder.
BELINDA [Repeated by Chorus]
Haste, haste to town, this open field No shelter from the storm can yield.
[exeunt Dido and Belinda and train]
[The Spirit of the Sorceress descends to Aeneas in the likeness of Mercury]
SPIRIT
Stay, Prince and hear great Jove’s command; He summons thee this Night away.
AENEAS
Tonight?
SPIRIT
Tonight thou must forsake this land, The Angry God will brook no longer stay.
Jove commands thee, waste no more in Love’s delights, those precious hours,
Allow’d by th’Almighty Powers To gain th’ Hesperian shore And ruined Troy restore.
AENEAS
Jove’s commands shall be obey’d, tonight our anchors shall be weighed.
[Exit Spirit.]
But ah! what language can I try My injur’d Queen to Pacify:
No sooner she resigns her heart, But from her arms I’m forc’d to part.
How can so hard a fate be took? One night enjoy’d, the next forsook.
Yours be the blame, ye gods! For I Obey your will, but with more ease could die.
THE SORCERESS AND HER ENCHANTRESSES (CHORUS)
Then since our Charmes have sped, a Merry Dance be led By the Nymphs of Carthage to please us.
They shall all Dance to ease us, A Dance that shall make the Spheres to wonder,
Rending those fair Groves asunder.
THE GROVES DANCE
• THIRD ACT
Scene: The Ships [enter the Sailors, the Sorceress, and her Enchantresses]
PRELUDE
FIRST SAILOR [Repeated by Chorus]
Come away, fellow sailors, your anchors be weighing.
Time and tide will admit no delaying.
Take a bouzy short leave of your nymphs on the shore,
And silence their mourning with vows of returning
But never intending to visit them more.
THE SAILORS’ DANCE
SORCERESS
See the flags and streamers curling anchors weighing, sails unfurling.
FIRST WITCH
Phoebe’s pale deluding beams guilding more deceitful streams.
SECOND WITCH
Our plot has took, The Queen’s forsook.
TWO WITCHES
Elissa’s ruin’d, ho, ho! Our plot has took, The Queen’s forsook, ho, ho!
SORCERESS
Our next Motion Must be to storme her Lover on the Ocean!
From the ruin of others our pleasures we borrow,
Elissa bleeds tonight, and Carthage flames tomorrow.
CHORUS
Destruction’s our delight Delight our greatest sorrow!
Elissa dies tonight and Carthage flames tomorrow.
[Jack of the the Lanthorn leads the Spaniards out of their way among the Enchantresses.]
A DANCE [Enter Dido, Belinda and train]
DIDO
Your counsel all is urged in vain to Earth and Heav’n I will complain!
To Earth and Heav’n why do I call?
Earth and Heav’n conspire my fall.
To Fate I sue, of other means bereft The only refuge for the wretched left.
BELINDA
See, Madam, see where the Prince appears;
Such Sorrow in his looks he bears
As would convince you still he’s true.
[enter Aeneas]
AENEAS
What shall lost Aeneas do?
How, Royal Fair, shall I impart The God’s decree, and tell you we must part?
DIDO
Thus on the fatal Banks of Nile, Weeps the deceitful crocodile
Thus hypocrites, that murder act, Make Heaven and Gods the authors of the Fact.
AENEAS
By all that’s good …
DIDO
By all that’s good, no more! All that’s good you have forswore.
To your promis’d empire fly And let forsaken Dido die.
AENEAS
In spite of Jove’s command, I’ll stay. Offend the Gods, and Love obey.
DIDO
No, faithless man, thy course pursue; I’m now resolv’d as well as you.
No repentance shall reclaim The injur’d Dido’s slighted flame.
For ‘tis enough, whate’er you now decree,
That you had once a thought of leaving me.
AENEAS
Let Jove say what he will: I’ll stay!
DIDO
Away, away! No, no, away!
AENEAS
No, no, I’ll stay, and Love obey!
DIDO
To Death I’ll fly If longer you delay; Away, away!…..
[Exit Aeneas]
But Death, alas! I cannot shun; Death must come when he is gone.
CHORUS
Great minds against themselves conspire and shun the cure they most desire.
DIDO [Cupids appear in the clouds o’re her tomb]
Thy hand, Belinda, darkness shades me, On thy bosom let me rest,
More I would, but Death invades me; Death is now a welcome guest.
When I am laid in earth, may my wrongs create no trouble in thy breast;
Remember me, but ah! forget my fate.
CHORUS
With drooping wings you Cupids come, to scatter roses on her tomb.
Soft and Gentle as her Heart Keep here your watch, and never part.
CUPIDS DANCE
FINIS
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