{"id":12718,"date":"2014-04-25T04:30:38","date_gmt":"2014-04-25T04:30:38","guid":{"rendered":"http:\/\/www.eoisabi.org\/?p=12718"},"modified":"2026-03-24T22:51:13","modified_gmt":"2026-03-24T22:51:13","slug":"all-that-jazz-from-new-orleans-to-new-york","status":"publish","type":"post","link":"https:\/\/englishroam.com\/?p=12718","title":{"rendered":"From New Orleans To New York"},"content":{"rendered":"

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\u00a4 \u00a0‘All That Jazz, From New Orleans to New York’<\/strong><\/h6>\n

\u2190A<\/strong>n anthology of Jazz music which prior to the popular swing era of the 1930s and ’40s is often referred to as \u00abearly jazz<\/strong>.\u00bb Through its origins before the turn of the 20th century, jazz had evolved from a regional music, central to New Orleans and its surroundings, to a musical style at the forefront of national and international popular music by the 1930s and 1940’s.<\/p>\n

\u2022\u2192 http:\/\/theconversation.com\/explainer-the-history-of-jazz-51729<\/a> \u21d0<\/p>\n

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\u00a4 \u00a0The New Orleans Style of Jazz \u2194\u00a01914 to 1935<\/a><\/h6>\n

\u00a0Louis Armstrong_King Of Jazz<\/h4>\n

Armstrong defined what it was to play Jazz. His amazing technical abilities, the joy and spontaneity, and amazingly quick, inventive musical mind still dominate Jazz to this day and only Charlie Parker comes close to having as much influence on the history of Jazz as Louis Armstrong did. As one of the first soloists on record, Armstrong was more responsible than anyone else for jazz changing from an ensemble-oriented folk music into an art form that emphasized inventive solo improvisations.<\/p>\n

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Louis Armstrong<\/strong> was the father of jazz improvisation, the first (and for some the most) influential jazz trumpeter and, with Duke Ellington and Charlie Parker, one of the music’s trinity of great creators.\u00a0In the 1920s, Armstrong formulated the essential elements of jazz\u2014solos that soared above the basic harmonies of a song, a driving sense of instrument and a deep understanding of the blues.<\/p>\n

The elements of jazz are so much an accepted and familiar part of the soundtrack of 20th century life that it’s difficult to imagine what it was like without them. Yet to an extraordinary degree, the creative development and the widespread distribution of those elements would not have happened without Armstrong.<\/p>\n

\u2014 Don Heckman in the Los Angeles Times\u00a0June 30, 1996<\/p>\n