{"id":12280,"date":"2014-05-29T22:00:46","date_gmt":"2014-05-29T22:00:46","guid":{"rendered":"http:\/\/www.eoisabi.org\/?p=12280"},"modified":"2021-11-13T23:25:58","modified_gmt":"2021-11-13T23:25:58","slug":"dido-aeneas-h-purcell","status":"publish","type":"post","link":"https:\/\/englishroam.com\/?p=12280","title":{"rendered":"Dido &#038; Aeneas [H Purcell]"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"https:\/\/www.youtube.com\/watch?v=sdhoszxU1m0\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12282\" title=\"Dido_Aeneas\" src=\"http:\/\/www.eoisabi.org\/wp-content\/uploads\/2012\/10\/Dido_Aeneas.gif\" alt=\"\" width=\"247\" height=\"192\" srcset=\"https:\/\/englishroam.com\/wp-content\/uploads\/2012\/10\/Dido_Aeneas.gif 247w, https:\/\/englishroam.com\/wp-content\/uploads\/2012\/10\/Dido_Aeneas-150x116.gif 150w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">\u00af<\/p>\n<p style=\"text-align: justify;\"><em><strong>Dido and Aeneas<\/strong><\/em>\u00a0\u00a0is an\u00a0opera\u00a0in a prologue and three acts, written by the English\u00a0Baroque\u00a0composer\u00a0<a title=\"Henry Purcell\" href=\"http:\/\/en.wikipedia.org\/wiki\/Henry_Purcell\" target=\"_blank\" rel=\"noopener noreferrer\">Henry Purcell<\/a>\u00a0with a libretto by\u00a0Nahum Tate. The first known performance was at\u00a0Josias Priest&#8217;s girls&#8217; school in London no later than the summer of 1688.<\/p>\n<p style=\"text-align: justify;\">The story is based on Book IV of\u00a0Virgil&#8217;s\u00a0<em>Aeneid<\/em>.\u00a0It recounts the love of\u00a0<strong>Dido<\/strong>, Queen of Carthage, for the\u00a0Trojan\u00a0hero\u00a0<strong>Aeneas<\/strong>, and her despair when he abandons her. A monumental work in Baroque opera,\u00a0<em>Dido and Aeneas<\/em>\u00a0is remembered as one of Purcell&#8217;s foremost theatrical works.\u00a0It was also Purcell&#8217;s first opera, as well as his only all-sung dramatic work.<\/p>\n<table width=\"90%\" align=\"center\">\n<thead><\/thead>\n<tbody>\n<tr>\n<td style=\"text-align: center;\" colspan=\"2\"><strong>\u00a0CHARACTERS<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Dido, Queen of Carthage<\/td>\n<td align=\"right\">soprano<\/td>\n<\/tr>\n<tr>\n<td>Aeneas, a Trojan prince<\/td>\n<td align=\"right\">baritone<\/td>\n<\/tr>\n<tr>\n<td>Belinda, Dido&#8217;s confidante<\/td>\n<td align=\"right\">soprano<\/td>\n<\/tr>\n<tr>\n<td>Sorceress<\/td>\n<td align=\"right\">mezzo-soprano or baritone<\/td>\n<\/tr>\n<tr>\n<td>Spirit, in the form of Mercury<\/td>\n<td align=\"right\">soprano<\/td>\n<\/tr>\n<tr>\n<td>Sailor<\/td>\n<td align=\"right\">soprano or baritone<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\n<p style=\"text-align: justify;\">Dido, the widowed Queen of Carthage, entertains the Trojan Prince Aeneas, shipwrecked on his way to Italy, where he will found a new Troy. Dido and Aeneas are in love. Witches plot Dido\u2019s destruction and the Sorceress conjures a storm, to break out when the royal couple are hunting, and the impersonation of Mercury by one of her coven. The storm duly breaks and the courtiers hasten back to town, while the false Mercury tells Aeneas he must leave Dido and sail for Italy. Aeneas and his sailors prepare to leave, to the delight of the witches. Aeneas parts from Dido, who kills herself once he has gone, her death lamented by mourning cupids.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div><\/div>\n<div>\n<h5 align=\"left\">SYNOPSIS:<\/h5>\n<p style=\"text-align: justify;\" align=\"left\">Set in Carthage at the court of Queen Dido, in mythical time period.<\/p>\n<p style=\"text-align: justify;\" align=\"left\"><strong>Scene I, Dido&#8217;s Palace<\/strong><\/p>\n<p style=\"text-align: justify;\" align=\"left\">Dido, Queen of Carthage, is brooding in her palace. Belinda suggests her brooding may be due to her love for the Trojan prince Aeneas. Belinda intimates that Aeneas already loves her. Belinda suggests that a union between them both would bring Dido the happiness she deserves and will glorify Carthage.<\/p>\n<p style=\"text-align: justify;\" align=\"left\"><strong>Scene II, Dido&#8217;s Palace<\/strong><\/p>\n<p style=\"text-align: justify;\" align=\"left\">Aeneas, who has just arrived in Carthage after fleeing from Troy following defeat in the Trojan War,\u00a0enters and proclaims his devotion for Dido. Dido accepts his love and the courtiers celebrate.<\/p>\n<p style=\"text-align: justify;\" align=\"left\">S<strong>cene III, The Witches&#8217; cave<\/strong><\/p>\n<p style=\"text-align: justify;\" align=\"left\">A sorceress with the aid of some witches conspire for Aeneas&#8217; departure, Dido&#8217;s ruination and the destruction of Carthage. Meanwhile, the lovers are embarked upon a hunt as a symbol of courtship.<\/p>\n<p style=\"text-align: justify;\" align=\"left\"><strong>Scene IV, The Grove<\/strong><\/p>\n<p style=\"text-align: justify;\" align=\"left\">As the hunting party pauses Belinda, and an accompanying woman, sing of the locations delight. Thunder is heard in the distance. The witches have conjured a storm to bring an end to the lovers hunting party. Dido, who has fully given her love to Aeneas returns safely to the palace. In the storm, the spirit of the sorceress appears before Aeneas, disguised as Mercury and reminds him he must leave and continue his quest as he is fated to be the founder of a new Troy and the Roman Empire. Aeneas laments his fate.<\/p>\n<p style=\"text-align: justify;\" align=\"left\"><strong>Scene V, Harbor<\/strong><\/p>\n<p style=\"text-align: justify;\" align=\"left\">Aeneas&#8217; men are driven to their ships by the witches and the sailors jovially make ready to leave. The Sorceress and the witches dance to their success.<\/p>\n<p style=\"text-align: justify;\" align=\"left\"><strong>Scene VI, Dido&#8217;s death<\/strong><\/p>\n<p style=\"text-align: justify;\" align=\"left\">Dido fears that Aeneas will abandon her. Aeneas, torn, seeks to defy the gods and stay. Dido is angered and forces him to leave: She will not endure a lover who has entertained leaving her. Belinda fails to appease Dido&#8217;s grief and Dido plans her own suicide. As Aeneas ship disappears, Dido throws herself on her funeral pyre.<\/p>\n<div id=\"watch-description-text\">\n<p style=\"text-align: justify;\" align=\"left\">\u25ca\u00a0\u00a0 from Teatro Comunale Luciano Pavarotti, Modena (Italy)<strong>\u00a0 \u2193\u00a0 <\/strong>[2020]<\/p>\n<\/div>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4ofSW5rZKDQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>\u2022 \u00a0 FIRST ACT<\/h4>\n<p>Scene: The Palace \u00a0 \u00a0[enter Dido, Belinda and train]<\/p>\n<p><strong>BELINDA<\/strong><\/p>\n<p>Shake the cloud from off your brow, Fate your wishes does allow;<\/p>\n<p>Empire growing, Pleasures flowing, Fortune smiles and so should you.<\/p>\n<p><strong>CHORUS<\/strong><\/p>\n<p>Banish sorrow, banish care, Grief should ne&#8217;er approach the fair.<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>Ah! Belinda, I am prest With torment not to be Confest, Peace and I are strangers grown.<\/p>\n<p>I languish till my grief is known, Yet would not have it guest.<\/p>\n<p><strong>BELINDA<\/strong><\/p>\n<p>Grief increases by concealing,<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>Mine admits of no revealing.<\/p>\n<p><strong>BELINDA<\/strong><\/p>\n<p>Then let me speak; the Trojan guest Into your tender thoughts has prest;<\/p>\n<p>The greatest blessing Fate can give Our Carthage to secure and Troy revive.<\/p>\n<p><strong>CHORUS<\/strong><\/p>\n<p>When monarchs unite, how happy their state,<\/p>\n<p>They triumph at once o&#8217;er their foes and their fate.<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>Whence could so much virtue spring?<\/p>\n<p>What storms, what battles did he sing?<\/p>\n<p>Anchises&#8217; valour mixt with Venus&#8217; charms<\/p>\n<p>How soft in peace, and yet how fierce in arms!<\/p>\n<p><strong>BELINDA<\/strong><\/p>\n<p>A tale so strong and full of woe \u00a0might melt the rocks as well as you.<\/p>\n<p>What stubborn heart unmov&#8217;d could see \u00a0such distress, such piety?<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>Mine with storms of care opprest Is taught to pity the distrest.<\/p>\n<p>Mean wretches&#8217; grief can touch, so soft, so sensible my breast,<\/p>\n<p>But ah! I fear, I pity his too much.<\/p>\n<p><strong>BELINDA &amp; SECOND WOMAN<\/strong> [Repeated by Chorus]<\/p>\n<p>Fear no danger to ensue, The Hero Loves as well as you, ever gentle, ever smiling,<\/p>\n<p>And the cares of life beguiling, Cupid strew your path with flowers gather&#8217;d from Elysian bowers.<\/p>\n<p>DANCE THIS CHORUS<\/p>\n<p>THE BASKE [Aeneas enters with his train]<\/p>\n<p><strong>BELINDA<\/strong><\/p>\n<p>See, your Royal Guest appears, How Godlike is the form he bears!<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>When, Royal Fair, shall I be blest \u00a0 with cares of love and state distrest?<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>Fate forbids what you pursue.<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>Aeneas has no fate but you!<\/p>\n<p>Let Dido smile and I&#8217;ll defy the feeble stroke of Destiny.<\/p>\n<p><strong>CHORUS<\/strong><\/p>\n<p>Cupid only throws the dart \u00a0 that&#8217;s dreadful to a warrior&#8217;s heart,<\/p>\n<p>And she that wounds can only cure the smart.<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>If not for mine, for Empire&#8217;s sake, \u00a0 some pity on your lover take;<\/p>\n<p>Ah! make not, in a hopeless fire \u00a0 a hero fall, and Troy once more expire.<\/p>\n<p><strong>BELINDA<\/strong><\/p>\n<p>Pursue thy conquest, Love; \u00a0her eyes confess the flame her tongue denies.<\/p>\n<p>A DANCE. GITTARS CHACONY.<\/p>\n<p><strong>CHORUS<\/strong><\/p>\n<p>To the hills and the vales, to the rocks and the mountains To the musical groves and the cool shady fountains. Let the triumphs of love and of beauty be shown, Go revel, ye Cupids, the day is your own.<\/p>\n<p>THE TRIUMPHING DANCE<\/p>\n<h4>\u2022 \u00a0SECOND ACT<\/h4>\n<p>Scene [I]: The Cave [enter Sorceress]<\/p>\n<p>[PRELUDE FOR THE WITCHES]<\/p>\n<p><strong>SORCERESS<\/strong><\/p>\n<p>Wayward sisters, you that fright \u00a0the lonely traveller by night<\/p>\n<p>Who, like dismal ravens crying, Beat the windows of the dying,<\/p>\n<p>Appear! Appear at my call, and share in the fame of a mischief shall make all Carthage flame.<\/p>\n<p>Appear!<\/p>\n<p>[enter Enchantresses]<\/p>\n<p><strong>FIRST WITCH<\/strong><\/p>\n<p>Say, Beldam, say what&#8217;s thy will. CHORUS Harm&#8217;s our delight and mischief all our skill.<\/p>\n<p><strong>SORCERESS<\/strong><\/p>\n<p>The Queen of Carthage, whom we hate, as we do all in prosp&#8217;rous state,<\/p>\n<p>Ere sunset, shall most wretched prove, Depriv&#8217;d of fame, of life and love!<\/p>\n<p><strong>CHORUS<\/strong><\/p>\n<p>Ho, ho, ho, ho, ho, ho! [etc.]<\/p>\n<p><strong>TWO WITCHES<\/strong><\/p>\n<p>Ruin&#8217;d ere the set of sun? Tell us, how shall this be done?<\/p>\n<p><strong>SORCERESS<\/strong><\/p>\n<p>The Trojan Prince, you know, is bound By Fate to seek Italian ground;<\/p>\n<p>The Queen and he are now in chase.<\/p>\n<p><strong>FIRST WITCH<\/strong><\/p>\n<p>Hark! Hark! the cry comes on apace.<\/p>\n<p><strong>SORCERESS<\/strong><\/p>\n<p>But, when they&#8217;ve done, my trusty Elf In form of Mercury himself<\/p>\n<p>As sent from Jove shall chide his stay,<\/p>\n<p>And charge him sail tonight with all his fleet away.<\/p>\n<p><strong>CHORUS<\/strong><\/p>\n<p>Ho, ho, ho, ho, ho, ho! [etc.]<\/p>\n<p>[Enter a Drunken Sailor; a dance]<\/p>\n<p><strong>TWO WITCHES<\/strong><\/p>\n<p>But ere we this perform, We&#8217;ll conjure for a storm<\/p>\n<p>To mar their hunting sport And drive &#8216;em back to court.<\/p>\n<p><strong>CHORUS<\/strong>\u00a0 \u00a0[in the manner of an echo.]<\/p>\n<p>In our deep vaulted cell the charm we&#8217;ll prepare,<\/p>\n<p>Too dreadful a practice for this open air.<\/p>\n<p>ECHO DANCE \u00a0 \u00a0[Enchantresses and Fairies]<\/p>\n<p>Scene [II]: The Grove \u00a0 \u00a0[enter Aeneas, Dido, Belinda, and their train]<\/p>\n<p>RITORNELLE \u00a0 [Orchestra]<\/p>\n<p><strong>BELINDA<\/strong> [Repeated by <strong>Chorus<\/strong>]<\/p>\n<p>Thanks to these lovesome vales, These desert hills and dales,<\/p>\n<p>So fair the game, so rich the sport, Diana&#8217;s self might to these woods resort.<\/p>\n<p>GITTER GROUND A DANCE<\/p>\n<p><strong>SECOND WOMAN<\/strong><\/p>\n<p>Oft she visits this lov&#8217;d mountain, Oft she bathes her in this fountain;<\/p>\n<p>Here Actaeon met his fate,<\/p>\n<p>Pursued by his own hounds, And after mortal wounds<\/p>\n<p>Discover&#8217;d, discover&#8217;d too late.<\/p>\n<p>[A Dance to entertain Aeneas by Dido&#8217;s women]<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>Behold, upon my bending spear \u00a0 a monster&#8217;s head stands bleeding,<\/p>\n<p>With tushes far exceeding \u00a0those did Venus&#8217; huntsman tear.<\/p>\n<p><strong> DIDO<\/strong><\/p>\n<p>The skies are clouded, hark! how thunder \u00a0rends the mountain oaks a sunder.<\/p>\n<p><strong>BELINDA<\/strong> [Repeated by <strong>Chorus<\/strong>]<\/p>\n<p>Haste, haste to town, this open field No shelter from the storm can yield.<\/p>\n<p>[exeunt Dido and Belinda and train]<\/p>\n<p>[The Spirit of the Sorceress descends to Aeneas in the likeness of Mercury]<\/p>\n<p><strong>SPIRIT<\/strong><\/p>\n<p>Stay, Prince and hear great Jove&#8217;s command; He summons thee this Night away.<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>Tonight?<\/p>\n<p><strong>SPIRIT<\/strong><\/p>\n<p>Tonight thou must forsake this land, The Angry God will brook no longer stay.<\/p>\n<p>Jove commands thee, waste no more \u00a0 in Love&#8217;s delights, those precious hours,<\/p>\n<p>Allow&#8217;d by th&#8217;Almighty Powers To gain th&#8217; Hesperian shore And ruined Troy restore.<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>Jove&#8217;s commands shall be obey&#8217;d, \u00a0tonight our anchors shall be weighed.<\/p>\n<p>[Exit Spirit.]<\/p>\n<p>But ah! what language can I try My injur&#8217;d Queen to Pacify:<\/p>\n<p>No sooner she resigns her heart, But from her arms I&#8217;m forc&#8217;d to part.<\/p>\n<p>How can so hard a fate be took? \u00a0One night enjoy&#8217;d, the next forsook.<\/p>\n<p>Yours be the blame, ye gods! For I Obey your will, but with more ease could die.<\/p>\n<p><strong>THE SORCERESS AND HER ENCHANTRESSES<\/strong> (CHORUS)<\/p>\n<p>Then since our Charmes have sped, \u00a0a Merry Dance be led By the Nymphs of Carthage to please us.<\/p>\n<p>They shall all Dance to ease us, A Dance that shall make the Spheres to wonder,<\/p>\n<p>Rending those fair Groves asunder.<\/p>\n<p>THE GROVES DANCE<\/p>\n<h4>\u2022 \u00a0THIRD ACT<\/h4>\n<p>Scene: \u00a0The Ships \u00a0 [enter the Sailors, the Sorceress, and her Enchantresses]<\/p>\n<p>PRELUDE<\/p>\n<p><strong>FIRST SAILOR<\/strong> [Repeated by <strong>Chorus<\/strong>]<\/p>\n<p>Come away, fellow sailors, your anchors be weighing.<\/p>\n<p>Time and tide will admit no delaying.<\/p>\n<p>Take a bouzy short leave of your nymphs on the shore,<\/p>\n<p>And silence their mourning \u00a0with vows of returning<\/p>\n<p>But never intending to visit them more.<\/p>\n<p>THE SAILORS&#8217; DANCE<\/p>\n<p><strong>SORCERESS<\/strong><\/p>\n<p>See the flags and streamers curling \u00a0anchors weighing, sails unfurling.<\/p>\n<p><strong>FIRST WITCH<\/strong><\/p>\n<p>Phoebe&#8217;s pale deluding beams \u00a0guilding more deceitful streams.<\/p>\n<p><strong>SECOND WITCH<\/strong><\/p>\n<p>Our plot has took, The Queen&#8217;s forsook.<\/p>\n<p><strong>TWO WITCHES<\/strong><\/p>\n<p>Elissa&#8217;s ruin&#8217;d, ho, ho! Our plot has took, The Queen&#8217;s forsook, ho, ho!<\/p>\n<p><strong>SORCERESS<\/strong><\/p>\n<p>Our next Motion Must be to storme her Lover on the Ocean!<\/p>\n<p>From the ruin of others our pleasures we borrow,<\/p>\n<p>Elissa bleeds tonight, and Carthage flames tomorrow.<\/p>\n<p><strong>CHORUS<\/strong><\/p>\n<p>Destruction&#8217;s our delight Delight our greatest sorrow!<\/p>\n<p>Elissa dies tonight and Carthage flames tomorrow.<\/p>\n<p>[Jack of the the Lanthorn leads the Spaniards out of their way among the Enchantresses.]<\/p>\n<p>A DANCE \u00a0 \u00a0 \u00a0 \u00a0 [Enter Dido, Belinda and train]<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>Your counsel all is urged in vain \u00a0to Earth and Heav&#8217;n I will complain!<\/p>\n<p>To Earth and Heav&#8217;n why do I call?<\/p>\n<p>Earth and Heav&#8217;n conspire my fall.<\/p>\n<p>To Fate I sue, of other means bereft The only refuge for the wretched left.<\/p>\n<p><strong>BELINDA<\/strong><\/p>\n<p>See, Madam, see where the Prince appears;<\/p>\n<p>Such Sorrow in his looks he bears<\/p>\n<p>As would convince you still he&#8217;s true.<\/p>\n<p>[enter Aeneas]<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>What shall lost Aeneas do?<\/p>\n<p>How, Royal Fair, shall I impart The God&#8217;s decree, and tell you we must part?<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>Thus on the fatal Banks of Nile, Weeps the deceitful crocodile<\/p>\n<p>Thus hypocrites, that murder act, Make Heaven and Gods the authors of the Fact.<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>By all that&#8217;s good &#8230;<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>By all that&#8217;s good, no more! All that&#8217;s good you have forswore.<\/p>\n<p>To your promis&#8217;d empire fly And let forsaken Dido die.<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>In spite of Jove&#8217;s command, I&#8217;ll stay. Offend the Gods, and Love obey.<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>No, faithless man, thy course pursue; I&#8217;m now resolv&#8217;d as well as you.<\/p>\n<p>No repentance shall reclaim The injur&#8217;d Dido&#8217;s slighted flame.<\/p>\n<p>For &#8216;tis enough, whate&#8217;er you now decree,<\/p>\n<p>That you had once a thought of leaving me.<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>Let Jove say what he will: I&#8217;ll stay!<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>Away, away! No, no, away!<\/p>\n<p><strong>AENEAS<\/strong><\/p>\n<p>No, no, I&#8217;ll stay, and Love obey!<\/p>\n<p><strong>DIDO<\/strong><\/p>\n<p>To Death I&#8217;ll fly If longer you delay; Away, away!&#8230;..<\/p>\n<p>[Exit Aeneas]<\/p>\n<p>But Death, alas! I cannot shun; Death must come when he is gone.<\/p>\n<p><strong> CHORUS<\/strong><\/p>\n<p>Great minds against themselves conspire and shun the cure they most desire.<\/p>\n<p><strong>DIDO \u00a0<\/strong> [Cupids appear in the clouds o&#8217;re her tomb]<\/p>\n<p>Thy hand, Belinda, darkness shades me, On thy bosom let me rest,<\/p>\n<p>More I would, but Death invades me; Death is now a welcome guest.<\/p>\n<p>When I am laid in earth, may my wrongs create no trouble in thy breast;<\/p>\n<p>Remember me, but ah! forget my fate.<\/p>\n<p><strong>CHORUS<\/strong><\/p>\n<p>With drooping wings you Cupids come, to scatter roses on her tomb.<\/p>\n<p>Soft and Gentle as her Heart Keep here your watch, and never part.<\/p>\n<p>CUPIDS DANCE<\/p>\n<p>FINIS<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\u00af<\/p>\n<p style=\"text-align: justify;\">Dido and Aeneas is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The first known performance was at Josias Priest&#8217;s girls&#8217; school in London no later than the summer of 1688.<\/p>\n<p style=\"text-align: [...] \n\n","protected":false},"author":28,"featured_media":12282,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[223],"tags":[70,299],"class_list":["post-12280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-play","tag-e_video","tag-blighty","odd"],"_links":{"self":[{"href":"https:\/\/englishroam.com\/index.php?rest_route=\/wp\/v2\/posts\/12280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/englishroam.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/englishroam.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/englishroam.com\/index.php?rest_route=\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/englishroam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12280"}],"version-history":[{"count":32,"href":"https:\/\/englishroam.com\/index.php?rest_route=\/wp\/v2\/posts\/12280\/revisions"}],"predecessor-version":[{"id":55574,"href":"https:\/\/englishroam.com\/index.php?rest_route=\/wp\/v2\/posts\/12280\/revisions\/55574"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/englishroam.com\/index.php?rest_route=\/wp\/v2\/media\/12282"}],"wp:attachment":[{"href":"https:\/\/englishroam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/englishroam.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/englishroam.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}